Frequently Asked Questions

Here are answers to some of the questions you might have. Please contact me for any other inquiries.

- What was your first experience with/discovery of art? What made you want to become an artist?

I discovered my passion for drawing and painting at a young age, and it brought me a profound sense of fulfillment. There was something incredibly satisfying about cutting a piece of paper or transferring my observations onto a canvas while freely choosing my own colors. Looking back, I realize that it was a liberating experience, expanding my world of abstract thoughts and providing meaning in the midst of an otherwise ordinary life. There are countless aspects of existence that cannot be adequately conveyed through language alone. While language and science facilitate communication to a certain extent, art possesses the unique ability to engage with our emotions, both those we understand and those that lie hidden. This is why I yearned to become an artist—to connect with others in a way that transcends verbal communication, to empathize and establish a profound connection with the depths of their consciousness.

- Are there any key themes, messages or theories behind your work?

In our quest for identity and comfort, we often seek solace through material or spiritual means. However, these sources can be fleeting, leaving us longing for genuine comfort. My paintings offer individuals a pathway to discover their own sanctuary within themselves, drawing inspiration from the nurturing spirit of Mother Nature. Through the beauty and depth of nature's embrace, my art connects people to their inner selves and fosters a sense of unity among us all. I believe that it is through this connection that we find the true comfort and connection we seek.
 
- Could you tell us a bit about your artistic approach? (Style, medium and specific techniques.)

I work primarily in acrylics and often employ a semi-abstract style in my landscape paintings. Most of my landscape paintings are done based on the image in my memory. A light texture is created with gesso, at the foundation stage, then as layers and layers of colours get built up I try to let my brush blur the boundary between logic and intuition. I sometimes add in more texture with molding paste or glass beads. I finish each piece with a coat of UV protective varnish which seals up the canvas pores protecting the painting from dust, UV rays and yellowing.